Google Doodle: Google celebrates the 86th birthday of Indian artist and graphic artist Zarina Hashmi. Tara Anand’s dark doodles showcase the passion of her artwork with minimalistic abstract and geometric shapes to explore concepts of housing, displacement, boundaries, and sign. breast. She is also one of the most prominent artists associated with the minimalism movement.
Source: Google Doodle
Who is Zarina Hashmi?
Hashmi was born on this day in 1937 in the small Indian town of Aligarh. Before India was divided in 1947, she and her four siblings lived a happy life. Millions of people were forced to evacuate due to this terrible phenomenon, and Zarina’s family was forced to move to Karachi in the newly founded Pakistan.
At the age of 21, Hashmi married a young diplomat and began her journey through Bangkok, Paris and Japan, where she was exposed to abstract and modern art trends.
In 1977, Hashmi moved to New York City, where she developed into an ardent advocate for black women and artists. She quickly became a member of Heresies Collective, a feminist magazine that explores the connections between politics, art, and social justice.
She later became a professor at New York’s Institute of Feminist Arts, which provides equal educational opportunities for female artists. She co-curated a 1980 exhibit at the AIR Gallery titled “The Dialectic of Isolation: An Exhibition of American Female Artists from Third World Countries.” This groundbreaking exhibition showcases the work of several female artists and provides a platform for artists of color.
An advocate of minimalism, Hashmi has become known for her eye-catching woodcuts and intaglios that incorporate semi-abstract depictions of the houses and cities in which she lives. Her vernacular Urdu inscriptions and Islamic art-influenced geometric designs are often incorporated into her works.
Zarina Hashmi: Awards and Recognition
Zarina was one of four artists or groups of artists representing India in her debut exhibition at the Venice Biennale in 2011. The first retrospective exhibition of her work was held at the Hammer Museum. in Los Angeles in 2012. The exhibition, Zarina: Paper Like Skin, moved to the Art Institute of Chicago and the Solomon R. Guggenheim Museum. Zarina served as Artist-in-Residence of the Asia Pacific/American Academy at NYU during the 2017/18 academic year. Zarina: Dark Streets, a solo gig, and Directions to My Home, a pamphlet, are the main projects of the boarding house.
Year | prize |
1969 | President’s Award for Graphics, India |
1974 | Japan Foundation Scholarship, Tokyo |
1984 | Printing Workshop Scholarship, New York |
1985 | New York Arts Scholarship Fund, New York |
1989 | Grand Prize, International Print Biennale, Bhopal, India |
in 1990 | Adolph and Esther Gottlieb Foundation Scholarship, New York Arts Scholarship Foundation |
At 1991 | Residence, Women’s Workshop Workshop, Rosendale, New York |
1994 | Residence, Art-Omi, Omi, New York |
in the year 2002 | Residence, Williams College, Williamstown, Massachusetts |
in 2006 | Residence, Montalvo Arts Center, Saratoga, California |
2007 | Internship, University of Richmond, Richmond, Virginia |
The idea of the house as a flexible, abstract realm that transcends matter or place is mentioned in Zarina’s art. Her artwork often contains motifs that allude to concepts such as mobility, diaspora, and exile. For example, in her Paper Like Leather woodcut, the thin black line that divides the page from the bottom right to the top left scrolls up against the white background. In the zigzag and angular division of the page, a geographical line marks the boundary between two places or can be a topographic map of an unfinished journey.
Good and bad days in July 2023
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Source: vcmp.edu.vn