Lady Gaga is one of pop’s most prolific artists and has released many incredible studio albums throughout her decade-plus career.
In celebration of the start of the “Stupid Love” singer’s concert chromatic ball tour, we’ll take a look back and see how all of their studio albums fared on Metacritic, which compiles reviews from journalists around the world.
Here’s how their rating system works: “Creating our proprietary Metascores is a complicated process. We carefully select a large group of the world’s most respected critics, assign scores to their reviews, and apply a weighted average to summarize the range of their opinions. The result is a unique number that captures the essence of critical opinion in a Metascore.”
From their 2008 debut studio album. Fame until 2021 love for saleThis is how Lady Gaga albums are classified…
Contents
10. ARTPOP (2013)
Metascore: 61
Billboard wrote that “Coherently channeling R&B, techno, disco and rock music as a pop artist while talking about sex, drugs, lust, God, fame and creativity, Lady Gaga has offered her fans her most sonically and lyrically diverse album to date. ”.
The Telegraph declared “She doesn’t do anything wildly original with them [musical genres]But she has fun.”
The observer said: “So it’s not an instant classic, but it’s also not the calamity that some have predicted, being a typically mixed outing from Gaga with some ridiculous moments and questionable digressions (Jewels ‘N’ Drugs, in which three rappers add little to the mix; or Donatella, a charmless ode to the equally charmless supreme Versace) and plenty of not-unpleasant filler.”
9. Cheek to Cheek (2014)
Metascore: 64
Entertainment Weekly said of his collaborative jazz album with Tony Bennett that “The track list is, admittedly, a little boring. Luckily, singing is not.”
He New York Daily News wrote: “The fight between Bennett and Gaga ends very differently than the one between the maestro and kd lang in 2002. Those two created a more sober and mature relationship. On the contrary, the duets with Gaga give Bennett a whole new control over youth.”
Rolling Stone wrote that “Sometimes she exploits these songs instead of relaxing with them. But in challenges like Billy Strayhorn’s subtle ballad ‘Lush Life’, the queen of the little monsters more than proves that she can also be a sophisticated lady. “
8. Juana (2016)
Metascore: 67
Spin stated “It is understandable that joanne finds Gaga acting authentically, if only because it is the strongest way to convey artistic evolution to the masses in 2016. The image here – the illusion, really – is as imperfect as it is meticulously rendered.”
The New York Times observed that “although joanne It is elemental, nothing in it is naked. Instead, he is confusing, full of songs that seem like concepts in search of a home, little pieces of theater taken from other imaginary productions and collected in a container of miscellany.
The Telegraph wrote that “while its modernity is expressed by mixing and matching genres or adding digital sparkle to familiar tropes, for all its bravura, exuberance, and pop savvy, it is dated to the core.”
7. Love for sale (2021)
Metascore: 70
The independent said: “Bennett and Gaga dance [Cole Porter’s] witty wordplay and brings nuanced humanity to the skillful melodies he performed in his Waldorf suite.”
The Telegraph wrote: “It’s certainly charming and delightful, as they sing in the opening track ‘De-Lovely’, but also decidedly undemanding.”
Rolling Stone noted, “A superhero team that has produced another album of solid covers of the American songbook.”
6. Fame (2008)
Metascore: 71
Billboard declared “the feature film Fame “It shows that it is more than a success and a bag of stage tricks.”
The Boston Globe said, “Listen a little closer to the sly, sarcastic lyrics and glam beats of this feisty debut and you’ll hear that this former Spice Girl from downtown New York has at least a few things on her dirty mind.”
Entertainment Weekly he enthused, writing, “However, in this economy, its escapism in good times has its charms.”
5. Born This Way (2011)
Metascore: 71
in gaga Born this way, The Telegraph wrote that “Gaga crosses the line and keeps going: blockbuster, exhilarating, exhausting entertainment.”
MSN Music commented that “This does not depend Fame either The monster of fame. But they both continue to grow, and with their crazy momentum and crazy themes, this one could too, despite being on the tour followed by 28 semi-finals.”
Q Magazine I declare that “Born this way “It feels like Lady Gaga’s first proper album.”
4. Dawn of Chromatica (2021)
Metascore: 74
shock music said: “The main conclusion of The dawn of chromatic However, Gaga’s curatorial skill and even strength of talent is on display. Able to go from the playful digitalism of Ashnikko to the lounge energy of Jimmy Edgar and Bree Runway’s version of ‘Babylon,’ it’s a relentlessly entertaining showcase.”
Gallow noted: “The most memorable reviews about The dawn of chromatic create new links to other highlights from Gaga’s discography. …Some other highlights lean in the other direction, teleporting Gaga into established sound worlds with satisfying results.”
All the music He added: “Presented as the bold and liberated brother of a more traditional predecessor, The dawn of chromatic “It unlocks an expanded world of potential and reminds your legion of Little Monsters that you still have your finger on the pulse and aren’t afraid to take risks from time to time.”
3. The Fame Monster (2009)
Metascore: 78
Los Angeles Times wrote: “In her music videos and live shows over the past year, Gaga has worked hard to demonstrate her creative ambition and stylistic range, and that project continues.” The monster of fame.”
Rolling Stone noted that “she hedges her conceptual bets by releasing powerful club hits, and this eight-song EP (included on the reissue and sold separately) is largely on target.”
NME commented “Poker Face,” practically the only song for which 2009 will be remembered, is included on the original album, making it essential for anyone who even remotely likes pop. For the rest of us, it’s the moment when Gaga establishes herself as a true star.”
2. A Star is Born (2018)
Metascore: 78
Rolling Stone said of Gaga’s collaborative soundtrack album with Bradley Cooper for her film that “The music that Gaga helps write for this stretch of Ally’s career, where she’s still brunette and performing with a man she’s falling in love with, “It’s beautiful, romantic without being trite, and powerful.”
NME stated that “in general, A star has been born It is one of the best Hollywood soundtracks of recent years. Far from being Oscar bait, these are songs that could shine on their own and feel completely believable.”
Gallow wrote that “Save for one or two digital flourishes in the pop songs that make up much of the film’s second half, there is very little here that would have sounded out of place on the blockbuster movie soundtracks of decades past. At its peak, the album delivers on the promise of its star power with some of the most moving and emotionally overwhelming pop songs of the year.”
1. Chromatic (2020)
Metascore: 79
Variety stated that “Possibly, song for song, it is the best one yet. …It sounds like you know exactly who you are, what you want to say and how you want to say it, and with chromatic“He has laid a solid foundation for the next phase of his extraordinary career.”
The Telegraph wrote that”chromatic It offers Gaga at her most energetic and forceful, and that is something to behold.”
DIY Magazine said: “Infectious, exciting and even a little hedonistic during some of the most confusing modern times, now has never been a better time to get lost in this new destination.”
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Categories: Biography
Source: vcmp.edu.vn